PARISIAN STREET FASHION

Parisian Street Fashion : Top Fall Fashion Trends 2011 : Nyc Fashion Week 2011 Tickets.

Parisian Street Fashion

street fashion

Street fashion is a term used to describe fashion that is considered to have emerged not from studios, but from the grassroots. Street fashion is generally associated with youth culture, and is most often seen in major urban centers.
Japan began to emulate Western fashion during the middle of the 19th century. By the beginning of the 21st century it had altered into what is known today as 'street fashion'.

parisian

a native or resident of Paris
Of or relating to Paris
of or relating to or characteristic of Paris or its inhabitants; "Parisian restaurants can be expensive"
(paris) the capital and largest city of France; and international center of culture and commerce

parisian street fashion – Street Boners:

Street Boners: 1,764 Hipster Fashion Jokes

Fifteen years after founding Vice, Gavin McInnes has poured his creative juices into a new endeavor: StreetCarnage.com. Growing in size and influence at an alarming rate, the site’s main feature is the new and improved version of Gavin’s “DOs and DON’Ts,” now tantalizingly called Street Boners.

These Boners have been polished and compounded into a book that takes the best of the site and adds hundreds more gems! With 1,312 photos, hilarious captions, and a harsh new rating system-from one to 10 kitten faces-STREET BONERS makes sure no glorious fashion statement goes unnoticed. Innocent citizens are either damned to hell or relentlessly exalted into heaven. Chloe Sevigny, Debbie Harry, Fred Armisen, and Tim & Eric also contribute their scathing wit to the book, and the end result is a New York fashion bible no bathroom should be without.

21. French style – woman with bright striped tights and red coat

For some reason I noticed more vivid tights earlier in the trip, perhaps because it got colder later on.

street fashion

roaming around shibuya will give you a glimpse of the tokyo street fashion

parisian street fashion

Auction catalogs can tell you a lot about a person—their passions and vanities, peccadilloes and aesthetics; their flush years and lean. Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor.
In Leanne Shapton’s marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren’t real people, but might as well be). Through photographs of the couple’s personal effects—the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks)—the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple’s accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate.
In an earlier work, Was She Pretty?, Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris—a very different yet equally original book—she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.

Amazon Best Books of the Month, February 2009: What is love? Artist Leanne Shapton may be the first person to answer this age-old question so persuasively, if not damn-near definitively. Her vision of love–that famously immaterial virtue–finds its best expression in the stuff of our daily lives. Which, of course, may not be as filled with the serendipitous charm that marks the courtship of her fictional lovers, but that doesn’t make Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry feel any less universal. We meet Lenore and Hal after their relationship has ended; that the relics of their life–spent in fits and starts of togetherness–are presented in a Valentine’s Day auction catalog has the potential to strike a bitter chord. What comes across instead is that these items, ranging widely from gifts, postcards, and photos to conspiratorial notes and precious evidence of daily rituals, deserve to be cherished for the love they still so clearly honour. –Anne Bartholomew

Auction catalogs can tell you a lot about a person—their passions and vanities, peccadilloes and aesthetics; their flush years and lean. Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor.
In Leanne Shapton’s marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren’t real people, but might as well be). Through photographs of the couple’s personal effects—the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks)—the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple’s accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate.
In an earlier work, Was She Pretty?, Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris—a very different yet equally original book—she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.